Theaters of Melancholy : The Neo-Romantics in Paris and Beyond by Patrick ...
In 1926, the Galerie Druet in Paris made waves presenting a group of young painters, consisting of an international group of artists: Christian B\u00E9rard and Th\u00E9r\u00E8se Debains, both French; Russians Pavel Tchelitchew and the brothers Eugene and Leonid Berman; and the Dutchman Kristians Tonny. These artists had spurned modernist abstraction and returned to a form of figurative painting. For most of them, this was the first time they had exhibited, but their impact was considerable. Art critic Waldemar- George baptized them the \u0093Neo-Romantics\u0094 or the \u0093Neo-Humanists.\u0094 They were influenced by Picasso, in particular his Blue and Rose periods, but went beyond him to forge new ways of painting. These artists liked to play with forgotten references and obsolete visual devices such as trompe l\u0092oeil.
Theaters of Melancholy
The Neo-Romantics in Paris and Beyond
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Theaters of Melancholy : The Neo-Romantics in Paris and Beyond by Patrick ...
In 1926, the Galerie Druet in Paris made waves presenting a group of young painters, consisting of an international group of artists: Christian B\u00E9rard and Th\u00E9r\u00E8se Debains, both French; Russians Pavel Tchelitchew and the brothers Eugene and Leonid Berman; and the Dutchman Kristians Tonny. These artists had spurned modernist abstraction and returned to a form of figurative painting. For most of them, this was the first time they had exhibited, but their impact was considerable. Art critic Waldemar- George baptized them the \u0093Neo-Romantics\u0094 or the \u0093Neo-Humanists.\u0094 They were influenced by Picasso, in particular his Blue and Rose periods, but went beyond him to forge new ways of painting. These artists liked to play with forgotten references and obsolete visual devices such as trompe l\u0092oeil.
Theaters of Melancholy
The Neo-Romantics in Paris and Beyond
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This brand new item is available with free UK delivery using ;
Price now:
From
£22.95
To
£45.00
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Product Description
In 1926, the Galerie Druet in Paris made waves presenting a group of young painters, consisting of an international group of artists: Christian B\u00E9rard and Th\u00E9r\u00E8se Debains, both French; Russians Pavel Tchelitchew and the brothers Eugene and Leonid Berman; and the Dutchman Kristians Tonny. These artists had spurned modernist abstraction and returned to a form of figurative painting. For most of them, this was the first time they had exhibited, but their impact was considerable. Art critic Waldemar- George baptized them the \u0093Neo-Romantics\u0094 or the \u0093Neo-Humanists.\u0094 They were influenced by Picasso, in particular his Blue and Rose periods, but went beyond him to forge new ways of painting. These artists liked to play with forgotten references and obsolete visual devices such as trompe l\u0092oeil.
Theaters of Melancholy
The Neo-Romantics in Paris and Beyond
Free UK delivery on this item.
This brand new item is available with free UK delivery using ;
Product Specifications
General | |
|---|---|
format | hardcover |
Language | english |
type | book |
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